Two weeks ago, Sara wrote about the open casting call that Fox's "Glee" was holding on MySpace. She raised some good points about the potential reactions by both fans and professional actors alike.
And while her article ended on a note of uncertainty about the contest, the one thing that can't be argued is the success the online auditions have had since then.
The numbers don't lie, with over 85 million votes cast for the nearly 28,000 entries that were submitted throughout the month-long contest.
In fact, the online auditions were so popular that MySpace and "Glee" re-opened the auditions (which ended on Tuesday) for an additional 24 hours on Wednesday.
So even though fans of the show and professional performers will likely continue their debate about the validity of online open casting calls like this, the overwhelming reality is that more shows will probably try to emulate the huge success "Glee" was able to have.
Showing posts with label auditions. Show all posts
Showing posts with label auditions. Show all posts
Thursday, April 29, 2010
Thursday, April 15, 2010
Ex-Gleek Critiques

As an ex-show choir member, Fox’s “Glee” holds a special place in my TV heart. However, “Glee” complicated our relationship on March 30 when it announced its MySpace open casting call to “fill new high school student roles.”
With an increasing number of contest talent shows like “So You Think You Can Dance” or “Next Top Model,” there is no denying these types of casting calls are popular. But what’s the value of these casting calls among professional performers? I spoke with two of my friends, who also happen to be professional actors, on the issue.
Minnesota-based actress Elizabeth Grullon recently appeared in Mixed Blood Theater’s “Somebody, Nobody” and performed with the Hudson Valley Shakespeare Festival. Elizabeth mirrors my social media enthusiasm for the online auditions.
“I am not hesitant at all to do a video audition for something I am interested in being a part of. The heavy promotion makes me more likely to audition simply because I know about it and I know it is legit.”
Even though she sees the value in these auditions, she feels the her performance is skewed due to poor user-generated video production. The collective spirit of these types of auditions is exciting and you hope that people receive recognition that normally wouldn’t.
Sam Prince is a working Broadway actor who recently appeared in “Robin & the 7 Hoods” and “The Happy Elf.” Sam reflects the performer in me, and views the auditions with major skepticism, considering them part of the “quick fame propaganda.”
“You don’t really know who’s viewing these submissions and what level of professionalism they’re really looking for ... Since I am professional, I have a team of about six agents behind me, submitting me for jobs, dealing with contracts, etc. ... I view it more as viral marketing campaign if anything.”
Sam’s doubts are echoed by the Terms of Submission page for the contest, which never specifically defines the role or the pay, and includes a potentially dangerous promise that you will not have other contractual obligations. This will discourage many professional actors from even submitting.
Social media-based campaigns that include these open casting calls are exciting tactics, but it’s important to remember the experience and concerns of the participants. Social media has pushed public relations to be more transparent, the campaigns should reflect that trend. Be clear on what you are promising the lucky winner, and define the submission evaluation process in lemans terms, not only in legal speak.
“Glee,” it’s a speed bump in our relationship but I still love you, my heart will go on.
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